- Los vestidos de los novios
— Orient, sephardic song (Ladino) - Vidi acquam
— young roman girls choir/ transcript of Sangallian liturgic chant (Latin) - Beatus vir
— Mozarabic liturgic chant (Latin) - A chantar m'er de so qu'eu non volria
— Occitania, Beatriz de Dia, 12th century (Occitan) - Lo ferm voler
— Arnaud Daniel, 12th century (Occitan) - Were diu Werlt Alle Min
— extract from Carl Orff "Carmina Burana", 12th century/ 20th century (Middle High German) - Rassa tan creis
— Bertran de Born, 12th century (Occitan) - Altoes mach men van minnen singhen
— Hadewijch of Antwerp, 12th century (Brabant) - Reis glorious
— Giraut de Bornelh, 12th century (Occitan) - Douce dame jolie
— Guillaume de Machaut, 14th century (Old French) - Aval a la ribeira
— anonymous, traditional song from Bas–Quercy (Occitan) - Greensleeves
— anonymous, 16th century (Middle English) - You alone own Jan Jan
— Clément Marot/ Jan Pieterszoon Sweelinck, 16th-17h centuries (French/ Dutch) - The cold song
— Henry Purcell, "King Arthur", 17th century (English) - Quel chiaro rio
— Christoph Willibald Gluck, "La Corona", 18th century (Italian) - On a sea
— Elisabeth Jacquet de la Guerre, "Le sommeil d'Ulysse", 18th century (French) - Lacrimosa
— Wolfgang Amadeus Mozart, "Requiem", 18th century (Latin) - The March of the Kings
— Georges Bizet, "L'Arlésienne", 19th century (French) - I hear as in a dream
— Georges Bizet, "Les pêcheurs de perles", 19th century (French) - Ugarit
— hymn to Nikkal/ chant of sumerian rite, ca. -1400, (Hurrian) - J'ai deux amours
— improvisation based on the theme from Joséphine Baker/ Koger, Varna, Scotto, 20th century - Fin' Amor
— improvisation based on the theme from Joan Pau Verdier/ poem of Arnaud Daniel, 12th century/ 20th century (Occitan) - Los vestidos de los novios
— Orient, sephardic song (Ladino)
Sceneries,
on the run of water...
Roots,
from Petrocorians to the first feudatories
Legends and genius loci,
little cosmogony of Périgord
Eleanor, Queen of Aquitaine,
and her body and lands of love as of wars
Hundred years,
the horsemen of the Apocalypse, the legacy of troubadours, the music composition
The friends,
because he was him, because I was me
Croquants!
Forest of Périgord, wild and rugged, ours ancestors' mother...
River and Enlightment,
height of Dordogne, fallbacks of Périgords, revolutions
Rail and modernities,
mmutations, literary radiance, romanticism
History before history,
or the fortuitous rediscovery of Prehistory
Périgord land of welcome
on the shores of Espérance
The lesson of Ribérac,
or the cradle of song
